Performance art, new and established artists, endless walkabouts in the immense space of the Sandton Convention Centre, interspersed with visits to the food and bar sections. Not a bad way to spend one’s Saturday afternoon. It was my very first and I thoroughly enjoyed it. It did not quite have the same intimacy of…
The last time I went the Fondation Cartier was almost three years ago for the Ron Mueck exhibition. As with many of the Foundations owned by corporate companies in Paris, think Fondation Louis Vuitton and Fondation EDF, Foundation Cartier also showcases contemporary art. The current Beauté Congo exhibition, which runs until 15 November, includes painting, sculpture and photography, as well as a music programme.
The Pol Bury “Moments in Time – 50 Years of Sculpture” exhibition, a first retrospective since 1982, which is currently on at the Fondation EDF was unexpectedly more interesting than I had anticipated. I went expecting sculptures of course – mainly spheres by this Belgian artist,
Ron Mueck‘s enormous life-like sculptures are on show at Fondation Cartier until 22 February, 2015. Go early. I waited for no less than 45 minutes in a winding long queue that extended all around the Foundation building. It was worth the wait though. In a profile of the artist, I had seen the immense amount of work that goes into making every one of this gigantic sculptures.
This year The Grand Palais has invited Russian artists Ilya and Emilia Kabakov to exhibit at the annual Monumenta exhibition. The nave of the Grand Palais is an enormous space to work with and to curate an exhibition that can effectively make use of its grand volumes. Previous artists have done it fairly well. This year’s ‘Strange City’ installation has been partitioned off into various parts, taking the visitor through a journey of differently-themed sections, each meant to inspire introspection into the human condition.
I went to the Edward Hopper exhibition at the Grand Palais yesterday. It was refreshing to walk through an exhibition and not feel the need to find some intellectual meaning behind the paintings. Let me take a step back. The last exhibition I went to see was the Dali at Centre Pompidou. Granted that I cannot compare Dali and Hopper directly; one was a Surrealist painter, the other an impressionist-inspired Modernist. I can at least make some comparisons about the the emotions evoked by both.
I took in the Salvador Dali exhibition at the Pompidou Centre on Sunday; the first retrospective of the artist’s work to be held in Paris in thirty years. As I made my way around, taking in this surrealist painter’s bizarre and at times thought-provoking work, I wondered if it was the art, or his showmanship that had made him the darling of the art world at the height of his career.
Containing over 200 paintings, drawings, collages, assemblages, photos and film clips, the Pompidou Centre is paying hommage to what it calls ‘the most complex and prolific figure of 20th century art’.
Dali’s theatrics are also shown in short film clips around the exhibition – his eccentricity on full display.
Today was the first day of the summer holidays for my kids. This means for the next ten weeks, yes that’s right, ten weeks I have a six and twelve year old to keep busy. Unfortunately I can’t just send them out to play, which was how I remember my school holidays growing up.